Categories
Arranging Church Music Other Website News

New Free Music available

Free Music

If you didn’t know it, my website has quite a few complete pieces available for download for free. There are also some free titles that would be of use to teachers or students, particularly as related to music theory. Unlike many free products out there, you don’t have to register, you don’t have to give me your email address. Just download what you want.  You’re welcome to click on the donate button found on several of my pages if you’d like to help me stay out of debt.

Click on this link https://jamesgilbertmusic.com/index.php/music-catalog/#free

The original descriptions from when they were sold:

Volume one: AMSTERDAM (Praise The Lord Who Reigns Above) – BLESSED NAME (Blessed Be The Name) – CONVERSE (What A Friend We Have In Jesus) – GALILEE (Jesus Calls Us) – MESSAGE (We’ve A Story To Tell To The Nations) – NEAR THE CROSS – SALVATION – ST THOMAS (I Love Thy Kingdom)- SURRENDER (I surrender all)- WEDLOCK (God Is My Strong Salvation) -Parts are included for treble clef C Bb Eb and F instruments.

Volume 2: AR HYD Y NOS- BRADBURY (Savior Like A Shepherd) – CRIMOND (The Lord’s My Shepherd) – ST DENIO (Immortal Invisible) – WEB (Stand Up For Jesus) – CRUSADER’S HYMN (ST ELIZABETH) (Fairest Lord Jesus; Beautiful Savior) – I AM THINE – MY SAVIOR’S LOVE (I Stand Amazed) – O HOW I LOVE JESUS – PROMISES (Standing on) – RESIGNATION (My Shepherd Will Supply). Parts are provided for treble clef C Bb Eb and F instruments.

Volume 3: AZMON (O For A Thousand Tongues To Sing); CWM RHONDDA (God Of Grace And God Of Glory); TOPLADY (Rock of Ages); JOYFUL SONG (Praise Him Praise Him); GORDON (My Jesus I Love Thee); HENDON (Take My Life And Let It Be); BUNESSAN (Morning Has Broken); LYONS (O Worship The King); PICARDY (Let All Mortal Flesh Keep Silence); In The Garden; Love Lifted Me. Parts are provided for treble clef C Bb Eb and F instruments.

Enjoy.

Categories
Albums Arranging Reaper Recordings

Is Something Bad Coming (album notes)

Continuing with my series of liner notes for my album Sampler, we get to track number 8. This is a darker sounding track. It consists of 6 instruments and various effects.

You can find all of my albums, including this one at https://store.cdbaby.com/artist/jamesgilbert

First up is the Bass, the Padaboom patch from the Substance library by Output.

Next is the Arp Harp Loop patch from Output’s Signal Pulse library. I believe the patch may be part of an add-on library.

Next is the After Waves patch from Output’s Exhale program. The patch is probably part of an add-on library.

It looks like most of this piece uses Output’s various libraries. The next track is Tears in Rain patch from Analog strings by Output.

The next patch is a PolyBrass 2 from Kontakt’s RetroMachines Mk2. I believe this is an emulation of a Korg PolySix patch. The PolySix was the first synthesizer I ever owned.

Finally we have Battery 4 using the Sad Flamingo Kit.

For all the instruments, I only used automation on the Battery kit and that was for some volume changes.

I must have been happy with the sounds of the instruments because I used practically no effects on anything. Only the drums (Battery 4) were processed. I sent them (-13db) to a rever bus. The reverb was the Native Instruments/Softube emulation of the RC48 using a Medium Hall preset.

I sent the reverb (0db) to a Gate buss.

On the master bus I cut out frequencies below 30hz and used the Lurseen Mastering Console from IK-Multimedia. I used the Classical (More Glue) preset. If I made any changes, it would have been to the De-esser or compressor in the chain view options (icon at top). This plugin makes a huge difference in the final sound. It isn’t just louder, but better sounding.

Any questions or comments, please let me know.

Categories
Albums Arranging Reaper Recordings

Exciting times (track notes)

Continuing my liner notes for my July 2018 album “Sampler”

Track 7, Exciting Times, was my first experiment on doing something entirely from loops. Not audio loops, but MIDI loops. The entire track was produced from MIDI loops.

I use to subscribe to a magazine that included a download link or a DVD that had various samples and loops on it. My notes don’t show which issue or magazine name, but it was from a magazine. I took loops that came from what I think was a Trance selection. The majority of the magazine content was audio loops or samples, but from time to time they include midi loops.

Here are the instruments/patches I used for this track. My notes don’t show what changes I made to presets and it would take too long to figure out. Whatever they were, they were not dramatic changes.

Battery 4 (Argon Kit) with ReaEQ highpass at 40HZ and Supercharger GT compressor with a modified drum buss preset. Automation on ReaEQ highpass frequency.

Massive with Thelonius preset (modified). ReaComp sidechained from drum track; ReaEQ with a slight boos around 300hz and a low pass cut at 1.1K. Another ReaComp with sidechain. Supercharger GT with modified Synth Bass preset. NI VC 2A compressor, modified Electric Guitar preset. ReaDelay (modified Dehuminator slower preset). Automation on the Wavetable position and cutoff in Massive as well as the Bypass on the ReaDelay.

Reaktor Razor, Centauri preset (modified); ReaComp sidechained from Drum Buss, 0ms attack; 47ms release, 4:1 ratio, 0 to 481Hz input filter; ReaEQ highpass around 60Hz. Another ReaComp sidechained with 30-225Hz input filter. 3ms attack, 100ms release, 4.1 compression. (The two compressor settings basically end up being sidechained by only the bass drum from the drum sidechain input). Automation on two Macros in Razor. Automation on high pass filter in ReaEQ.

Absynth 5, Arcadia patch (probably modified). ReaComp sidechained similar to above examples.
ReaEQ. Automation on Pan and EQ Low pass frequency

Reaktor Monark, Sakwenzer patch (probably modified). ReaComp with sidechain from Drum track 0-745HZ input filter. 0ms attach, 100 release, 4:1 ratio. ReaEQ, low pass at 8.5Khz and high pass at 100Hz. Automation on lowpass eq filter.

Reaktor Kontour, Twin top patch (modified). ReaComp sidechained similar to above examples. ReaEQ, high pass, automated. Another ReaComp sidechained similar to above. Automation on pan.

Kontakt, string ensemble symphony series, string ensemble patch. ReaComp, sidechained similar to above. ReaEQ High pass around 60Hz, automated.

Kontakt, Rise & Hit, Heavy Fuzz patch. Automation on Volume and Rev-Heavyfuzz.

Kontakt, Exhale by Output, Backwards patch.

Four tracks were sent to a ReaDelay buss that had a 4-tap ping pong delay

Four tracks were sent to a Reverb buss with NI Passive EQ in mid/side mode. Some low mid boost in middle and some low boost on the side.

I printed all the midi to audio and produced the final mix from there.  I used an IK Multimedia Quad Compressor and Quad Image to widen out the sound a bit. I used a few sidechained compressors on some of the audio channels.

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