James Gilbert MusicStarting March 1, 2021 my latest album will be available on streaming sites everywhere.
A demo of the album is available on YouTube:
Please leave comments and questions here in the comment section.
I also have 13 other albums available on all digital music streaming sites (Scroll to the bottom for links to all the sites)
For those that work with orchestra or any music that requires parts to be produced, you may want the bar (measure) numbers in the parts to look different than the numbers in the score. I take a look at that issue in a YouTube tutorial video. I also talk about how to make a special staff on which to display the numbers.
The main sections to look at in Sibelius are the Appearance->Engraving Rules->Bar Numbers and in the Parts tab, part appearance.
Classical Music for solo Organ
I’m happy to announce that my 13th album is now available. You can listen to it on YouTube at: https://youtube.com/playlist?list=OLAK5uy_mv5_JJPl9WFBnKCAV-yTDfqFEuzdGECaM You can also purchase it at https://music.apple.com/us/album/classical-music-for-solo-organ/1544011235 or listen on Spotify at: https://open.spotify.com/album/6Qz1uT9cZSc3ZQmdp6I2t5
This album is an all Organ music album. It features the following short works.
Sortie-Franck (2:45)
Allein Gott in der Hoh sei Ehr-Telemann (2:15)
Aus Tiefer Not-JC Bach (1:36)
Schmucke dich, o liebe Seele-Telemann (2:31)
Adagio – Mendelssohn (3:11)
Christ lag in Todesbanden-Telemann 1/2 (3:28)
Christ lag in Todesbanden-Telemann 2/2 (1:21)
Ach, wir armen Sunder-Telemann (3:06)
Grave_Adagio_Mendelssohn (4:41)
O Lamm Gottes, unschuldig-Telemann (4:07)
Blessed Jesus At Thy Word-Elert (2:45)
Cantabile-Franck (4:32)
Grave_Bach (2:11)
Vater unser im Himmelreich-Telemann 1/2 (2:08)
Vater unser im Himmelreich-Telemann 2/2 (1:12)
Blessed Jesus At Thy Word-Able (2:48)
Komm, heiliger Geist, Herre Gott-Telemann (3:46)
Christus, der uns selig macht-Telemann (3:13)
Andantino Moderato Dubois(4:49)
Herr Jesu Christ, dich zu uns wend-Telemann (2:35)
Benedictus-Elert (2:57)
Herzlich tut mich verlangen-Telemann (3:13)
Gregorian March (4:50)-Alexandre Guilmant
An arrangement of All Things Bright and Beautiful for Solo Orchestra is now available. View a demo recording here:
To purchase this title, go to the music catalog menu at the top and scroll down or search for the title.
I routinely update, or is it upgrade (?) Komplete from Native Instruments. I almost immediately went to the website to pre-order it as soon as it was announced.
The product page said nothing about the possibility that some libraries/programs would not be included on the hard drive. In fact, the ultimate edition page says “If you choose a physical copy of KOMPLETE 13, instruments, effects, and additional content comes on an HDD. Choose a download version, and your software becomes available right away via Native Access – your one-stop hub for easy product installation, registration, and updates.” Nowhere does it say that some products won’t be on the HD.
After the fact I did find a page, buried on the website that says “Certain products may require additional free downloads.” But that hardly means that entire programs or libraries will require full downloads. But back to ordering.
The order page had two pull-down menus, one for delivery – shipped or download only – and another for what type of product – upgrade, update and first time purchase. I definitely wanted it shipped to me as I have a very slow internet connection. I made sure to choose the shipped product option first. Then I selected the “upgrade” option.
The website then displayed a message under my choice saying I was eligible for the “update” option. Are you confused yet? I chose the “update” as it was cheaper. Without noticing it, the website changed my delivery option to download only – something I did not want.
As I went to the next page it probably said download only, but with so many companies I deal with providing physical copies and download at the same time, I didn’t notice the change on the next page or two. Yes, it was my fault for ordering the wrong delivery option, but the website should not have changed my choice in the first place.
When the product was released (October 1, 2020) I got email saying that Komplete 13 Ultimate Collector’s edition was available to download. Again, so many companies allow you download your order even when they are shipping it to you. (PG Music, makers of Band in a Box is one that comes to mind). So, I ran Native Access and saw about 30 new products that weren’t installed. When I saw the huge download size of some of the files I was glad I would be getting a hard drive with them on it.
After getting some of the small libraries I tried downloading a few of the larger (under 8Gb) files. I had to start them at 11pm and hope that the download didn’t fail overnight. Some did fail, some didn’t. I’d often had to retry a failed download in the morning. Once I start doing things that require using the internet during the day – like teaching piano lessons – I have to stop the downloads. After about two weeks I got the bulk of the files I was willing to put up with the nonsense of baby-sitting downloads.
I was surprised not to get any email telling me the HD had shipped. NI is good at providing tracking info.
I contacted support and they said that I had only ordered the download version. Since I had already started downloading products they were unable, due to their activation system, to ship me a product. I find that hard to believe and told them so. I mentioned my mistake in a tweet. The online NI Support person offered to give me direct links that should be faster than using Native Instruments. I also had the possibility of someone with a 100Mbps connection downloading the titles. Problem is they live 100 miles away. (My internet speed is never faster than 3Mbps).
I would think a company would be nice to the customer and realize they made a mistake and ship them the product. After all, it is the same content and price for either. Why they were so reluctant to fix my mistake I found to be a poor example of customer support.
I did send the person the links, but one was wrong. They sent me a thumb drive with all the titles I had yet to download. Even at that speed it took them about 4 hours to download. I got the thumb drive on October 23.
After a few weeks of their messages never getting to me – I think AT&T has way too aggressive a spam filter in place – I got a message saying that the issue was considered solved. It was not, in my opinion, solved. Apparently they had offered to send me a HD but I never got that message. I replied stating some of my issues and that I would take the HD offer.
So, 29 days later I finally get the HD I thought I had ordered in the first place. All is good, right? You would think so, but no, not for me.
Remember earlier I said the website said nothing about entire libraries or programs not being shipped on the HD? They only said that “Certain products may require additional free downloads.” That’s a far cry for me from having entire libraries or programs not on the HD.
Some of the major libraries not included are:
Cremona Quartet (4 string instruments, each about 27Gb in size)
Arkhis
Guitar Rig Pro 6
Super 8
Butch Vig Drums.
There may be more, but those are the ones I could easily determine weren’t on the HD.
I have spent days, no weeks of on and off again downloading to get the 30 products that were new to me in this version. I still have the Viola to download. I’m looking at 30+ hours so at least two days, if not three just for one instrument!
I like Pharlight, Straylight, Arkhis, Mysteria and even the Butch Vig Drums. I don’t do much cinematic, but the first four products listed are great for that. At first I didn’t think I’d need another drum library, but the Butch Vig drums have a good sound and the interface and ease of use is good. I forget if it was Straylight or Pharlight, but when using it in my DAW (Reaper) and automating the X/Y parameters, I got a fair amount of glitching on some patches. If I used the mouse to do the same exact movements, no glitching. That’s the only odd thing I’ve noticed so far and it was only on certain snapshots.
The Cremona Quartet instruments are extremely nice. For anyone doing any classical music or anything that demands solo strings, I do recommend it (although to be fair I’ve yet to download the viola or try the cello).
If I had known that the shipped version did not include so many libraries and programs I would not have ordered it. And I certainly would never have ordered a download only version.
For people like me in rural areas, the internet providers, particularly AT&T, have ignored us completely. The technology here has not changed since 2003. I’m stuck on DSL which has never been faster than about 3Mbps and the upload is barely 500kbps. What is ironic is that the entire neighborhood has fiber optics at the street. Unfortunately what I think is our switching office, or at least the DSL equipment is a box buried in the ground about 2 miles away. Why they can’t upgrade to fiber I don’t fully understand. Please comment below if you do (besides that it would hurt their profit margin). I pay about the same for 3Mbps as someone who has 100Mbps via a cable modem.
I would like to think that maybe the Space X Starlink satellite based internet will be nice if it ever becomes available in Florida. But, the nearly $100 a month and $500 up front costs that current beta testers (Oct 2020) have to pay may be out of the price range of the typical rural user. Supposedly by Fall of 2021 we might see service available here. Maybe the cost will go down. (Ha-ha).
I think music software library companies are spoiled by high speed connections at work and don’t realize that not everyone has a high-speed connection. I would love to see companies like Native Instruments offer their products, all of them, on physical medium. I’d be happy if they put the content on a thumb drive and mailed it to me in 1st class envelope (properly padded – 4 sheets of letter size paper folded works just nice). I’d even return the thumb drive if they wanted me to.
Anyhow, if you are thinking about buying a shipped version of Komplete 13 Ultimate Collector’s Edition, be aware that you’ll spend a lot of time downloading products.
Update: Be very careful where you put your metering plugins when mixing. It turns out I had Insight one step before the final mix. As a result, my mono mixes are now about -2 to -2.5db softer than the stereo sounds, not the same as the article below says. This is acceptable, though not ideal. The sections about compression and maximizing are still good things to do in your tracks, particularly if, as in my case, the instruments are overall not loud but do have extremely high peaks from time to time. Any advice on how to get mono and stereo mixes to exactly the same level would be appreciated. Above all, this post is to emphasize the need to make sure your mono mix sounds as good as your stereo mix, even if it isn’t always as loud.
Whether you are new to audio mixing or a veteran you’ve hopefully heard people say that you should always check your mix in mono. How come we need to do this? I discovered that a Zoom meeting I was providing music for was only setup for mono audio and even if the meeting is in stereo, all recordings of Zoom meetings are in mono. There are also many venues that only play music in mono including restaurants and clubs. Expect also that some of your listeners will be hearing their music on phones or tablets that only have one speaker or poor at best stereo playback.
Listening to your mix in mono can also point out weaknesses in your overall mix. In some cases a mono mix will result in instruments getting lost or buried in the mix, sometimes due to phase cancellation. Variations in phase, like when you take two sine waves and shift one 180 degrees so you don’t hear anything, as you go from 0 to 180 you will still hear a tone, but it will get softer and softer. Examination of your master track with various metering plugins (there are many free ones) can show if you are suffering from phase cancellation. Some areas to look for are phase variances between snare mixes above and below the snare; overdubbing of the same part with different settings or effects; stereo wideners and synthesizer type instruments that have a lot of processing applied.
My problem was that the mono version (as I found out from the recording) was 3db to 4db softer than the stereo version and softer than voices on the recording. As some people will point out, it is not unusual at all for the mono to be a bit softer than the stereo, but 3db is noticeable and more importantly the mono mix wasn’t as good as the stereo. The recording I was working on was a one instrument stereo track, a virtual software instrument piano, with various processing on it in the instrument software.
The solution I came up with was to get rid of any processing I didn’t really need in the instrument (like a stereo widener), put a compressor (Native Instrument’s LA-2A emulation) on the track aiming for about 4db in reduction, then a maximizer (I used Ozone 9) to aim for -15LUFS which seems to work best for me in Zoom. Each recording, whether with one instrument or many, will require adjustment to the compressor and maximizer settings as no one setting works for all situations. Right away this made a positive difference.
I frequently “freeze” my midi based tracks to audio so I can work only in audio and also so I’m not tempted to spend forever tweaking the midi parts. Next I found that cutting off some of the really low frequencies (below 60Hz) with a gradual (around 12 db/octave) slope as the first thing in the audio processing helps. Exact frequencies for the HPF and the “Q” will depend on the instrument. Excluding these lower frequencies helps the compressor to focus on musical elements rather than low frequency rumble. Don’t use a HPF at 60HZ on an organ, kick or electric bass, instead aim for below 40 or 50Hz, if at all. As to the compressor I used for one of my recordings, since the NI LA-2A emulation has no attack/release or ratio settings and its own HPF, I used the Peak Reduction to set the compression and didn’t use an EQ HPF prior to the compressor. While I like the LA-2A emulation, I also used the built-in ReaComp compressor in Reaper (my DAW of choice) with a 4:1 ratio and 300ms release with everything else being pretty close to the default. I found that it worked pretty good too, but I do have to say the LA-2A emulation requires less thinking and tweaking.
(See opening paragraph for corrections to this paragraph). For the final check before rendering to the stereo file that will be used for the Zoom meeting I listened to everything in mono and stereo along with an LUFS metering plugin (I think the free Insight plugin from iZotope). Exact LUFS levels happened between stereo and mono in some recordings and those mono mixes that didn’t were only about 0.2db softer than the stereo. I hope this helps or is at least interesting. I would double check everything I said before taking it as gospel. If you have any corrections, suggestions or other methods for making sure mixes are good in both mono and stereo, please comment below.
Update: @JGSheetMusic is my Twitter handle
Since January of 2020 I’ve posted quite a few videos on YouTube. These videos are demos of various sheet music titles I have available. They are full length recordings along with the sheet music. You can see them all at my YouTube channel:
https://www.youtube.com/user/jamesgilbertmusic
I also released a new album earlier this year called Hymns – Plugged In. See the article in this blog for details or visit my music catalog for links to the titles.
In addition to the numerous videos I have added a little more than 20 new sheet music titles to the catalog. Click on the link at the top of this page to see all of my sheet music titles. A tip for searching my catalog: Enter New Title in the search box and the newest titles will show up. (I usually consider a title to be new if it has been released in the last six months).
Long before the pandemic I was teaching piano lessons over the internet. If you are looking for a piano teacher or perhaps you are interested in learning music theory, composing or arranging, drop me a note using the contact page and we’ll get started.
For those of you new to my website, I made major changes to it in the first half of this year. Some of the links in old blog articles that directed you to specific pages on this site will probably not work. However, the content is still here. Select the most likely page from those listed in the menus above and you should have no problem finding it. Any articles that reference my YouTube, Linked In or other social media pages, be aware that the only social network accounts I have are with YouTube and SoundCloud. I find Facebook to be more or less useless for any serious business efforts. (Anyone who doesn’t have a Facebook account will have trouble using it). I find Twitter to be relatively useless in promoting my music and far too much of the content is unverified or contains comments that no sane person should be forced to have to read.
Our hearts go out to anyone suffering from the current virus worldwide. Virus or not, there are always people worse off than any group of people I might mention. Right now musicians are already suffering.
You can help out by listening to their music via streaming platforms like Spotify, Apple Music (iTunes), and Amazon Music. Big name groups probably don’t need help. Instead, try to listen to people who you have not heard before. The artists make money for every song played. Also consider purchasing a track or album. If an artist has a donate button on their website, consider making a donation. Links to get you started are listed below.
If the pandemic continues very long, the economic impact to everyone could be severe. Musicians, at least the lesser known musicians, the truly independent musicians, whether teachers, church musicians, local performers or composers/arrangers are already suffering.
As a church musician, I no longer have a congregation to play for. (We do not have the financial resources or equipment to try and do live services over the internet). It is still up in the air whether I will continue to be paid. If not, nearly 50% of my annual income is gone.
Few musicians perform entirely by themselves. Even a concert pianist has support personnel. Currently there are practically no music performances for live audiences and only the big name performers, who probably don’t need any help can manage concerts via the internet. Most performing and teaching musicians will be unable to effectively do things over the internet.
Teachers can’t teach as effectively via the internet as in live settings. Recording studios, even home studios are no longer operating. And there are many more things negatively impacting musicians.
In my situation thanks to a terrible ISP (AT&T) I have a very, very slow DSL internet connection (never more than 3Mbps!) so what I hear and see is never ideal quality. *BUT IT WORKS* So, while the idea of doing things over the internet is a great ideal, the infrastructure, at least in rural America simply does not exist so far as anything of high quality is concerned.
Here are some links to get you started:
Spotify (Listen for free)
And of course I can be helped with every piece of sheet music you buy or by taking music lessons over the internet.
Everyone stay safe. Wash your hands often, avoid crowds, don’t go anywhere unless you have to. If you are sick, think you are sick or someone in your household is the same, stay home.
Any Size Orchestra series play through
Visit https://www.sheetmusicplus.com/title/20389663 to see more and visit https://jamesgilbertmusic.com for more music
I’ve been at it again. A new album is now available. It is title Hymns – Plugged In.
A collection of traditional hymns set in contemporary styles using all electronic instruments.
Available at: https://www.amazon.com/gp/product/B083TPXRBP as well as on Spotify, Apple Music, Amazon and all digital music sources.
Here is a demo of the whole album: