Tag Archives: KONTAKT

Komplete Ultimate 9 – Software based music creation

Komplete Ultimate 9

Native Instruments Komplete Ultimate

FM 8
FM 8 (Photo credit: matt.searles)

For those that might be new to the world of creating music all on your computer or new to the world of synthesis and sampling, I thought a brief mention of what I use would be in order. There are many very good comparable products available from many sources, but for the cost, the unified look & feel and overall quality, I really like Native Instruments and their products. If you want everything, then Komplete Ultimate 9 is the one to get. You can spend years playing around and putting this software to use. It is pricey, but consider it a worthwhile investment, especially if you anticipate making money from your music or as an educational investment. But, if you don’t want to spend that much, individual parts are available.

The main components:

  • Kontakt – Sampler and playback. Includes a lot of ‘default’ sounds in addition to libraries mentioned below
  • Reaktor – A modular synthesizer with lots of instruments and, best of all, the ability to create your own instruments.
  • Massive – wavetable synthesizer, great for bass and leads
  • Absynth – semi-modular, great for pads and abstract sounds
  • FM8 – FM synthesizer and more
  • Battery 4 – A drum sampler, player than can be used for more than just drums
  • Guitar Rig 5 – A creative effects rack with 17 amps & cabinets, 54 effects and lots of capability

With just the above programs and their factory content, you can do more than enough to get really great sounds. Kontakt & Reaktor are the main ‘engines’ on which most of the rest of the content relies.

With Kontakt, there various libraries that come with Ultimate (or are available separately). Those include Strings & Cinematic libraries like Session Strings, Session Horn, Session Strings Pro, Damage, Evolve and Evolve Mutations 1 & 2. If you want to do anything for TV, Film, video games or just generally dramatic music, these are great. For retro sounds there is Retro Machines MK2. There are several drum packages in the Abbey Road series including Vintage, 60’s, 70’s, 80’s & modern drummer. There is also a Studio drummer. These drum packages give you drum kits, thousands of midi grooves and effects appropriate to those eras. To round out the drums, there is a West African drum collection, Balinese gongs and samples from Maschine. If that weren’t enough, there are several electric bass instruments and guitar. Finally, there are keyboard libraries. These include classic rock organ (B3), several grand pianos, upright pianos, including The Giant, electric pianos, retro keyboards, and a soul loop library.

With Reaktor, the instruments included are: Razor, a great additive synth; Reaktor Prism, a modal synth; Reaktor Spark, a dynamic subtractive synth; Skanner XT, part synth, part sampler; Monark, a new analog emulation similar to a mini-moog. Remember, these are just the added libraries that come with Reaktor. Reaktor itself has hundreds of synths, samplers, sequencers & effects including in the base package.

On top of all of that, NI includes numerous effects as plug-ins ready to be inserted into your DAW. (It should be noted that many of the above products include versions of these plug-ins as part of their implementations). These include a variety of solid state and tube emulations of compressor/limiters, EQ, reverb, gates, transient master, driver (distortion & filter effect), The Finger & The Mouth for live performance or studio manipulation of sound; and Reflektor, another reverb.

If you’re just getting started and don’t want to invest in all of these sounds just yet, I would recommend either Kontakt or Reaktor depending on your interest. If you want to design your own synths and get into the world of sound design, then go with Reaktor. If playback and maybe taking sounds you already have and making into an instrument is for you, then Kontakt. Each of these are available in a free versions with limits on what you can do with them. But, they do come with sounds that can be used in a production. Think of them as demos to get your feet wet before deciding what to do.

As to learning about them, the manuals that come with Ultimate are pretty good. There are also videos from various sources. I have some on my YouTube channel (as shown below). I also like Groove3.com for their tutorial series.
[youtube http://www.youtube.com/watch?v=Zd2VZsK6btM]
In addition to the tips you can find on my YouTube channel, I offer this. To start with, for the synths, take any piece of music you are familiar with, load it into your favorite midi sequencer or midi track of your DAW and start assigning different instruments to it. For effects, use an audio track with GuitarRig or the plugins. Mess around with the various knobs on the software and/or use automation in your DAW in order to vary the sounds. Personally, I use the Reaper DAW. Great for the price and great for what it can do.

I’ve been using Ultimate 9 since it came out and am very impressed with it. As an updater from a previous version, I think there are just enough new products included to make the upgrade worthwhile (assuming you didn’t buy any of the libraries when they came out individually over the past year or so). The effects package and Battery 4 definitely deserve a good going through.

Enjoy..

Miroslav Philharmonik Review

UPDATE January 2016. Miroslav Philharmonik version 2 was released in December 2015. Based on the SampleTank 3 engine, the user interface is a thousand times better than the version reviewed below. I can actually use it without having to pull out the magnifer. There are new sounds and key-switching instruments are also provided. The instruments from Philharmonik 1 are also included in this program. The product is 64-bit. The mixing tab of the interface makes it possible to mix ‘in the instrument’ rather than having to mix everything in your DAW. If time permits I may do a full review. As to the Kontakt vs. Miroslav comments below, if you are into just orchestral music and don’t need to do sampling and creating your own instruments, pick Miroslav first, then Kontakt, although some of the add-on libraries available for Kontakt offer sounds and features not found in Miroslav, especially if you are involved in film or game music.

An older product, but it sounds just fine

This product, from IK Multimedia, is an older product that has been on the market for at least 4 years. But, I’ve only just now (Nov 2012) had a chance to use it. You could call it a classic. If you’re just getting into sound libraries and doing recordings or composing on a computer, this is a good library.

What is it? It is a sound library consisting of all the instruments in a typical classical orchestra. There around 8 Gigabytes of samples. There are various articulations of the different instruments, as applicable. For example, there is flutter tongue for the flute, pizzicato for the strings, legato and stacc. for all the instruments.

There are individual sounds for all the instruments in the woodwinds, brass, string and percussion families as well as some keyboard and harp sounds, including some nice organ sounds. In addition to the single patches, it comes with numerous presets that layer various instruments from different families. If that weren’t enough, there are single patches that contain a mixture of instruments. I believe there are over 3,000 presets.

The instruments are accessed via a stand-alone program or via VST, AU and I believe a few other plugin formats that I don’t use. There are 16 channels/slots that you can load instruments into. Each slot can be assigned to any channel and panning and volume can be set. There are combination presets that can save you the time of loading instruments on each track. Use your MIDI keyboard to play it (or use the mouse and play the on-screen keyboard or some of the keys on your computer keyboard work).

I use mainly the Kontakt factory library for my orchestral needs so that’s all I have to go on for a comparison. The big difference is that there seems to be more instruments and articulations and types of instruments in the Miroslav package. Unlike Kontakt, that uses key switching to switch between, say pizz. and legato, this uses separate patches. That can take a little getting use to. I do also use Session Strings Pro. I find the Miroslav to be a better sound overall than what I can get from Kontakt, but that’s not to say Kontakt isn’t good, just Miroslav better so far as the sound & variety of orchestra instruments. If I could only choose between Kontakt and Miroslav Philharmonik, Kontakt would win, but if you’re heavy into orchestral sounds, you might make the opposite choice. .

There are quite a bit of ways to modify the individual sounds. These include LFO’s, Envelopes, filters, velocity adjustments, keyboard range, many effects and effect sends, both individually and globally.

Sibelius and Windows 7 64-bit users.

If you are using the Windows 7, 64-bit version of Sibelius, you will not be able to use the plugin, at least not with the 64-bit version of Sibelius. Fortunately, Sibelius 7 installs both the 64-bit and 32-bit versions. Go to the start menu and select the 32-bit version of Sibelius. As mentioned before, Miroslav is an older program, so it hasn’t been updated to 64-bit yet.

Reaper users.

I’ve found the product to be stable and fine for use in Reaper, Win 7 64-bit version. Just be sure to set your midi controller to the correct channel, set the Reaper input to the controller AND arm the channel for recording.

Criticism.

The interface is very hard to see. The image above was downloaded from the IK Multimedia site. That image looks better than the actual program does. I’m using a 1920×1080 display and I can barely read the text. If I use the Windows magnifier to zoom in 200% it seems obvious that the graphics are not very hi-res. This makes it hard to learn the program. However, once you get use to it, it’s not a bad interface. It would have been nice if the manual told more about the presets, like which ones make extensive use of the mod wheel, expression control or other controllers. As with most any sound library I’ve ever used, the manuals barely cover the minimum and offer little in the way of practical usage. It’s sort of a ‘here are the sounds and how to load them, now you’re on your own.’ More tutorials and tips would be most welcome. Since it is an older program, it doesn’t support WASAPI sound support. I’d like to see it updated to a 64-bit plugin and the graphics improved.

Since I’m new to it, did I miss anything or do you have any comments about it?

 

Piano lessons and music lessons over the internet

Piano

I’m happy to announce that I’m now teaching piano lessons and general music lessons via the internet. Please pass the word on to all you know.

I mainly teach piano lessons, but I am also available to teach Composition, Music Theory, Sibelius 7, Reaper DAW and Native Instruments Komplete 8 (with the various software like Absynth, Battery 3, FM8, Guitar Rig 5, Kontkat, Massive and Reaktor). For piano I teach all levels of experience and all styles. For Composition, Music Theory and Sibelius 7, I teach all levels, from beginner to advanced. For Reaper DAW and Native Instrument software contact me for details. If you are interested in organ lessons via the internet, let me know.

Image representing Skype as depicted in CrunchBase

I’m using Skype with video to teach lessons*. I have a webcam with high quality video setup to show my hands at my keyboard and one to show me. I can alternate between the two. I also have the ability to share my desktop. On the desktop I can show various material to supplement the lesson. Of course, I can also speak to the student. This makes it almost like me being in the same room with the student.

All that is required of the student is the ability to use Skype near where they are playing the piano or for other lessons, wherever they want.

Being able to see the piano student’s hands and their keyboard is preferred and is almost essential for beginners. But, if a video connection is impossible on the student’s end, then audio will also work. For other non-piano lessons, audio is sufficient although being able to share our desktops with one another would be desired.

For a limited number of new students, lessons (of any type) are ABSOLUTELY FREE through the end of 2012. After that, I will charge half price through May 2013, then go to regular price.

For general information about piano lessons, either in person or via the internet, visit my Piano Lessons Page and then use the Piano Inquiry page to contact me.

Don’t forget, we have over 400 free sheet-music titles available on our website for FREE! All we ask is that you consider making a donation to help the effort.

*My Skype name is: “JamesGilbertMusic” (all one word, without the quotes). Go ahead and give me a call. NOTE: I can also teach lessons via FaceTime but the experience will not be quite the same as described above.

The Cat

New Video

I’ve uploaded a new video to YouTube.

The soundtrack is an original piece originally written as a school assignment (years ago) to accompany a section of a cartoon. It has since undergone some revision. The music was written for Flutes (including Alto), Saxophones, French Horn, Trumpets, Guitar, Electric bass, drums and piano. The somewhat odd instrumentation was due to the requirement’s of the school assignment.

The music was originally written using MusicPrinter+ (anyone remember that?), Finale (97?), then converted to Sibelius 6, then Sibelius 7.

The recording of the music used the Reaper DAW for recording & mixing. I used a few Native Instruments products (Kontakt 4, Komplete 7) and built in effects in reaper.

The video part shows some still images put together to make a video of the day in the life of The Cat. The video portion is not as important as the music.
[youtube http://www.youtube.com/watch?v=njgeW8iHrsE]
The sheet music and a full mp3 recording can be found at JamesGilbertMusic.com

Questions or comments? Drop us a note.