Available now at my website and SheetMusicPlus, are the following titles. For a list of all titles I have available, visit https://jamesgilbertmusic.com/catalog.php
Ancient Quandary — Orchestra — https://www.sheetmusicplus.com/title/20964252
Christ Is Made The Sure Foundation — Orchestra — https://www.sheetmusicplus.com/title/20964255
David’s Lamentation — Orchestra — https://www.sheetmusicplus.com/title/20964256
Heaven Above — Orchestra — https://www.sheetmusicplus.com/title/20964259
I Remember You, My Lord — Orchestra — https://www.sheetmusicplus.com/title/20964261
Open My Eyes – Organ — https://www.sheetmusicplus.com/title/20964263
Is there a specific hymn tune you’d like to see arranged, and for what instrumentation? Let me know.
To continue with my notes on the songs on my 11th album, Sampler, we get to the 6th track. That title is called Very Confused. The description of how I did it may be as equally confusing.
As inspiration for and as a way to try different ways of composing, I took an existing piece, the first movement of the Opus 2, No. 1 Beethoven Piano Sonata. I loaded a midi rendition of the piece into my DAW. I used a function that takes all the notes of the file and extracts them to separate MIDI tracks. I forget how many unique pitches there were, but it was a large number. Based on the visual look of each track in a piano roll editor I moved tracks around and combined many with specific percussion instruments in mind.
I ended up with 16 different midi tracks. Using what I thought would sound good in combination with all the other tracks I assigned various percussion instruments to each of the 16 tracks. All the percussion sounds were from the Native Instruments sound library Percussion Symphony Series. Even the mysterious piano sound was from that library.
Processing, as with much of my music was minimal, once the desired sounds were recorded. The Claves had Replika XT (from Native Instruments) on it with a special effect patch highly modified. The Rain Stick track utilized the Movement plugin (from Output.com), 11.8 pitcher from one of the expansion packs. The vibraslap track sounds like a metalic flying object with lots reverb. That was accomplished by sending it through the Dual Crystals effects chain in Absynth. I used a little bit of EQ and compression here and there.
The original Beethoven Sonata movement, with repeats is nearly 20 minutes long, far too long for a track on the album. So I cut and chopped different sections, mainly silence and shortened it to less than 6 minutes. I was surprised by how much silence there was in the original piece when broken into its individual notes.
It is definitely Very Confused. I hope you like it. If you do or have any other comments or questions, please leave them below.