New Sheet Music

Christmas Organ Selections II

I have a new sheet music Organ Collection available. This contains selections of Advent and Christmas titles.

Available at: https://www.sheetmusicplus.com/title/20753754

Away In A Manger [MUELLER]
God Rest, Ye Merry Gentlemen
He Is Born [IL EST NSTE]
In The Bleak Midwinter [CRANHAM]
Joy To The World [ANTIOCH]
O Little Town Of Bethlehem [ST LOUIS]
The Babe of Bethlehem
The First Nowell
The Snow Lay On The Ground
What Child Is This [GREENSLEEVES]

There are a variety of styles represented. This and volume 1 will provide you with plenty of selections to choose from during the hectic Advent and Christmas season.

In addition to the link above (which takes you to the SheetMusicPlus website, my main distributor), a listing of all my available music can always be found at my website, JamesGilbertMusic.com

All of the typesetting for this collection was done using Sibelius.

Beginning The Adventure (Album track review)

Sampler

Beginning The Adventure

(This is the first of a series of articles about the tracks in my new album Sampler)

The album is available on Spotify, iTunes, Google Music, Amazon MP3 and at CD-Baby: http://store.cdbaby.com/cd/jamesgilbert11

The first track is called Beginning The Adventure. As a side note, I have to say that coming up with titles for my music is probably one of the most difficult aspects of composing I have. I always start with the music first and since there are no lyrics in my music, it makes sense. The last thing I do is come up with titles. Since I needed something a bit upbeat to set the mood, this track seemed appropriate, although I did give consideration to the “trance” like track “Exciting times,” but I thought “Beginning The Adventure” was a better choice.

I probably should have included Heavyocity in the name of this song. As best as I can tell, I only used Heavyocity products on this recording.

As I do most of my recordings “in the box,” that is, in my computer the sounds come from various software sound libraries, software based instruments and in rare situations, something from a loop. Some of the sounds I used were from synthesizers or modeling software that creates the sound as you go. Some were from samples of real recordings of acoustic instruments

This piece started out as my experimenting with the Heavyocity Gravity expansion pack “Vocalise.” There are 3 tracks that utilize some of the phrase menus. They are “A Phrase MV sus” (twice) and the C minor phrase menu. As I experimented I realized it would make a good piece, even for listening (as so much music I run across these days sounds like background music to a video or game and only useful for that, not listening). I also utilized Heavyocity’s NOVO strings at the very beginning for the low filtered sound that gradually comes in and helps set the mood. I don’t keep very good notes so I don’t know which patch it is. The low bass lick that comes in just before the voices start is from Heavyocity’s Aeon Rhythmic using the Synthocity preset. Underneath the vocals is the Heavyocity Aeon Rhythmic patch Falling Filters. The rhythmic pulse throughout comes from Heavyocity’s Aeon Rhythmic

I’m not big on using hundreds or even dozens of tracks to make a piece of music. The Heavyocity material frequently has 3 channels of sounds in one preset and offers a wide choice of effects all within the software avoiding the need to do a great deal of processing in my DAW. So, I only ended up with 7 tracks. I use “Reaper” as my DAW of choice. All of the original 7 tracks were MIDI tracks. I “freezed” the tracks once I had the sound I wanted. “Freezed” (or should it be “froze”?) is the term Reaper uses, in this case, to turn a MIDI track into an audio track. It renders the midi instrument into an audio file. It’s like in the old days of recording, committing to tape the take you best liked of live performers. The nice things is that in Reaper it is very easy to “un-freeze” (no they don’t call it “thaw”) the track if you don’t like it. (You do loose the edits you’ve made to the audio file, if any, but that’s kinda the point in “un-freezing” it).

Since there were so many processing and sound sculpting options in the software instruments – and I did process the default patches – I did very little processing in Reaper. In fact I only used two effects prior to the stereo bus. One was the Native Instrument/Soft Tube emulation of the Lexicon RC48 reverb. I modified the Grainy Echoes preset using a Random Hall and setting it on effect rather than reverb. Since this was on its own bus it was 100% wet. I used the send amounts to balance how much reverb each of the 7 tracks got. You may hear other reverb sounds but those come from the individual instruments themselves. I then routed the reverb to both the stereo bus (0 db) and to a delay bus (at -23db). I used the built-in ReaDelay that comes with reaper. I modified the basic ‘5-tap ping pong’ delay. Each tap was 1/4 of an eighth note after the other, panning left/right and getting softer. That went straight to the stereo bus.

In Reaper there is always a “master mix” channel. (See photo above). Other than a hard limiter (to prevent accidental or hidden clipping) I don’t put anything on it. Instead I setup a folder, the parent folder being the final stereo mix. The 7 music channels and 2 effect bus channels feed into it. Since I was having to master my own material, I put an EQ on this channel with a high-pass filter removing unneeded low end. I then added the IK-Multimedia mastering plugin “Lurssen Mastering Console.” I started with the EDM preset and modified to get the sound I was after. For this album I opted to mix everything using the TR5 Metering plugin from IK Multimedia for an average mix of -16 LUFS (which is the level at which many online streaming services prefer tracks to be and is a broadcast industry standard).

And that’s the details on that piece.

New Album

New Album

Album cover

It’s been nearly 3 years since I released an album so I thought it was about time to release a new one. This one is a sampler of various styles of music I compose, arrange or record. Some of it is available in sheet music from my website.

Look for it June 1, 2018 on CD-Baby, iTunes, Google Play, Amazon MP3, YouTube Music, Spotify and more.

I plan to post some details in the upcoming weeks about various tracks. In the meanwhile, an audio sample and part of the description on my CD Baby page is below. Please consider buying a copy of the whole album or individual tracks or stream it on Spotify.

Many of the titles are available in sheet music form at his website. Those that aren’t rely too much on specific computer sound libraries to be played by acoustic instruments. Three titles are based on brass quintet arrangements, but of course added to for the recording. One piece is based entirely on the results of fractal math formulas. Another one, the all percussion piece, Very Confused, uses a Beethoven piano sonata as the source rhythm but then highly manipulated. Another piece is based on a 12-tone instrumental ensemble piece. Yet another piece is more like modern trance music, but with James’ own twist. A couple came about as a result of experimenting with various sound libraries. Waiting and watching found its origins from music written on an iPad using NotateMe while in a doctor’s waiting room! While every title might not be for everybody, there is something here that you will like.

May update

Current news

I’m always looking for subjects to write about here or tutorial to do on YouTube. Please use the comments section to give me some ideas.

I’ve not shown a map of where people are buying and performing my sheet music for some time, so here’s the latest (as of Mar 31, 2018)

I’m making some changes to the music catalog. Rather than offer individual keyboard arrangements, I’m only selling collections. I have 8 piano solo collections available. As time permits I will remove organ solos from the catalog and only offer collections. It is easier to manage collections.

I have no plans for anything on YouTube at the present time. This is for two reasons: 1) Nobody who watches my videos on YouTube has bothered to let me know what they want to see and 2) YouTube no longer allows me to monetize my channel and nobody who watches my videos has donated anything to keep it going.

As always, check the sheet music catalog for new titles. At least once a month, sometimes more often there are new titles.

After 15 custom arrangements for a single client I must be doing something right. If you have a beginner/intermediate instrumental group or a church orchestra in need of arrangements, let me know so I can write it for you.

I’m always “playing around” with my various sound libraries and live instruments in my home studio. Look for at least one new album out this summer, if not two.

I continue to teach piano lessons locally and via Skype. So, no matter where you are in the world I can teach you. I can also tutor on composing, arranging, music theory and more. Drop me a note if you are interested.

 

New Additions to the Catalog

New Additions

The sheet music we have available is in a variety of styles for just about every imaginable combination of instruments. Some were written & used in church; some were written for teaching and educational settings; some are just fun to play and some would make great background music in a video.

I’ve added the following Solo Organ titles to the catalog recently (March 2017):

Down At The Crosshttps://www.sheetmusicplus.com/title/20707177 — A good piece for Lent or Communion

Lord, Who Throughout These Forty Dayshttps://www.sheetmusicplus.com/title/20707178 — Another excellent piece for use during Lent

The Lily Of The Valley https://www.sheetmusicplus.com/title/20707179 – An upbeat, fun to play setting of this tune.

There Is A Fountain https://www.sheetmusicplus.com/title/20707180 — Another piece well suited for Lent or Communion

To see all the titles I have available (currently around 1,000) visit https://jamesgilbertmusic.com/catalog.php

 

Feb 2018 Sheet-Music additions

More additions to the catalog

Here are the latest additions to our sheet-music catalog. Including sheet-music and individual audio tracks, we approach a total of 1,100 titles available.

Breathe On Me — A setting of the hymn tune NOVA VITA for orchestra — https://www.sheetmusicplus.com/title/20701580

Come Down, O Love Divine — An arrangement of this hymn tune for solo organ — https://www.sheetmusicplus.com/title/20701582

Memoriam — Based on the original piano solo, this piece is for solo orchestra — https://www.sheetmusicplus.com/title/20701584

Now Thank We All Our God — A setting of NUN DANKET for solo orchestra — https://www.sheetmusicplus.com/title/20701581

Once In Royal David’s City — This Christmas time piece is part of our Any Size Church Orchestra series. Playable by as little as 1 orchestral instrument and keyboard or a full concert band or full orchestra — https://www.sheetmusicplus.com/title/20701585

Onward Christian Soldiers — A setting of this very popular hymn. Part of our Any Size Church Orchestra series. — https://www.sheetmusicplus.com/title/20701590

Visit our Catalog Page to see all of our titles and recordings.

Sheet Music Plus for Composers/Arrangers

A “Kindle like” publishing platform for musicians

In case you did not know it, SheetMusicPlus.com has been operating a self-publishing platform similar to the way Amazon allows book authors to publish material for their Kindle.

I’ve been using it since Jan 2016 to sell all the titles I have available and have been quite happy with it. (I also should add that SMP is my go to source for printed music since there are no music stores within driving distance of where I live).

The following article explains it much better than I can and includes some videos to help Sibelius users although anyone who can create a PDF file of their music can participate. Their ArrangeMe option, discussed in the article is a great opportunity for arrangers.

http://www.avidblogs.com/sibelius-users-sell-music-today-millions-worldwide-smp-press/

In addition to Sheet Music Plus, ScoreExchange.com out of England also allows you to sell your music for free. They are very geared toward Sibelius users, allowing them to upload Sibelius files directly to them. I also have many of my titles there, but unfortunately, they are not as well known as SMP. JW Pepper music in the USA has a publish option for composers/arrangers that has a startup fee but also makes titles available to customers in printed form and is geared toward the educational market. I’ve not tried them.

Are there any other similar services I didn’t mention?¬† Any pros/cons anyone would care to discuss? Please comment.

Results of my contest entry

Did they even listen to my entry?

So, a few posts ago I mentioned that Spitfire Audio was having¬† a contest that I had entered. The one and half minute video was provided by them. Contestants had to write music to fit the video. It didn’t matter what sound libraries we used, it was “the composition that mattered.” Given the winning entry, which isn’t a bad musical competition, I wonder if my entry made it to them?

Nobody has ever called me a bad looser, but in this case, I just don’t get it. Were they more interested in the mixing/mastering than the music matching the video or what? The whole contest was a bit odd. The entry method was emailing the final audio (a large sized file) which could have easily ended up in their spam folder or deleted. It’s never safe to email something so big. We also had to send a link to our music synced to their video. I did that. They never confirmed whether they got my entry nor did I ever see it (or any other entries) posted on their SoundCloud site as the rules said they would. They also did not announce the winner on their website, but instead at the following Facebook page. Not everyone uses facebook. Here’s the winner:

https://www.facebook.com/SpitfireAudio/videos/10155715880575412/

The problems I have are:

The composition is little more than a 1:15 tension builder. It doesn’t resolve the tension. When I’m looking to buy a sound library, this music doesn’t do it for me.

The music doesn’t fit the video. It in no way enhances or supports the visuals we see. (Some comments on their facebook page agree with me here).

It is so repetitive to the point of almost being boring.

When it switches from graphics to the control room, why no change to draw the viewer, who may have turned away while watching on their phone, tablet or PC, to the change?

When we see a large horn section, I have trouble hearing any horns. The only thing in the video are horns yet there are no obvious horns in the music.

The same thing when we see flutes, trumpets and a timpani player feverlishly bangs on the timpani, we don’t hear flutes, trumpets or timpani. Why not? It would be an excellent way to showcase the product and its multiple capabilities instead of hearing essentially the same thing we’ve heard from the beginning.

When the woman is showed at her computer using Albion, why not give us something electronic? Movie soundtracks aren’t all symphonic orchestra are they?

The biggest thing that bothers me is when she plays a C on her keyboard (after seeing that she has a string sound loaded up) we don’t hear a C, not even a note in the C chord, nor are strings featured. What happened to matching the music to enhance the visuals?

Any how, here is my entry. I know it isn’t perfect. The mixing and mastering need some work and it probably would have helped to layer in some more sounds to what is there. I would really like some comments as to why my attempt was not as good as the winner.

Playing from a Leadsheet (revisited)

Playing from a Leadsheet

for solo pianists

 

Back in 2014 I did a tutorial video on YouTube titles How to play a Leadsheet on solo piano. A followup to it is below.

The video pretty much tells all you need to know to get started playing a leadsheet. One correction is that the D7/F chord on the first line should be a D7/F#. The following description and addition may help in learning to play a leadsheet.

The video shows three different renderings in addition to the original sheet music. The 1st, with just the bass root note in the LH can be a starting point for a walking bass. Imagine a scale based on that root note but not changing any notes from those already in the key signature. Play the 1, 2, 3 & 5 notes or 1,3,5,7 in a measure with one chord. For example, “F G A C” or “C E G B or Bb depending on taste.”

The 2nd sheet music simply shows the block chord with all the notes we could use to harmonize the leadsheet. It is mainly for illustrative purposes. I would never play a leadsheet with just root position block chords.

The final example is the most like one might play. The examples, with the harmony spread between both hands and with rhythmic variation show various rhythmic possibilities for the accompaniment/harmony. However, there’s too much rhythmic variation going on. The last two lines could be played “as is” but the first two lines have, because it is illustrative and not practical, a variety of rhythmic styles.

The next step in leadsheet playing is to listen or look at sheet music of various styles of music similar to the one you are learning. Try and use the rhythmic patterns and harmonic voicing in those examples in your own playing. Leadsheets, after all, are not meant to be a final arrangement. They are there to remind you of how the piece goes and give you just enough information so you can play it such that a listener is reminded of the song.

This is just a starting point to playing from leadsheets.

Bonus points if you recognize what the featured photo shows (besides a leadsheet).