Feb 2018 Sheet-Music additions

More additions to the catalog

Here are the latest additions to our sheet-music catalog. Including sheet-music and individual audio tracks, we approach a total of 1,100 titles available.

Breathe On Me — A setting of the hymn tune NOVA VITA for orchestra — https://www.sheetmusicplus.com/title/20701580

Come Down, O Love Divine — An arrangement of this hymn tune for solo organ — https://www.sheetmusicplus.com/title/20701582

Memoriam — Based on the original piano solo, this piece is for solo orchestra — https://www.sheetmusicplus.com/title/20701584

Now Thank We All Our God — A setting of NUN DANKET for solo orchestra — https://www.sheetmusicplus.com/title/20701581

Once In Royal David’s City — This Christmas time piece is part of our Any Size Church Orchestra series. Playable by as little as 1 orchestral instrument and keyboard or a full concert band or full orchestra — https://www.sheetmusicplus.com/title/20701585

Onward Christian Soldiers — A setting of this very popular hymn. Part of our Any Size Church Orchestra series. — https://www.sheetmusicplus.com/title/20701590

Visit our Catalog Page to see all of our titles and recordings.

Sheet Music Plus for Composers/Arrangers

A “Kindle like” publishing platform for musicians

In case you did not know it, SheetMusicPlus.com has been operating a self-publishing platform similar to the way Amazon allows book authors to publish material for their Kindle.

I’ve been using it since Jan 2016 to sell all the titles I have available and have been quite happy with it. (I also should add that SMP is my go to source for printed music since there are no music stores within driving distance of where I live).

The following article explains it much better than I can and includes some videos to help Sibelius users although anyone who can create a PDF file of their music can participate. Their ArrangeMe option, discussed in the article is a great opportunity for arrangers.


In addition to Sheet Music Plus, ScoreExchange.com out of England also allows you to sell your music for free. They are very geared toward Sibelius users, allowing them to upload Sibelius files directly to them. I also have many of my titles there, but unfortunately, they are not as well known as SMP. JW Pepper music in the USA has a publish option for composers/arrangers that has a startup fee but also makes titles available to customers in printed form and is geared toward the educational market. I’ve not tried them.

Are there any other similar services I didn’t mention?¬† Any pros/cons anyone would care to discuss? Please comment.

Results of my contest entry

Did they even listen to my entry?

So, a few posts ago I mentioned that Spitfire Audio was having¬† a contest that I had entered. The one and half minute video was provided by them. Contestants had to write music to fit the video. It didn’t matter what sound libraries we used, it was “the composition that mattered.” Given the winning entry, which isn’t a bad musical competition, I wonder if my entry made it to them?

Nobody has ever called me a bad looser, but in this case, I just don’t get it. Were they more interested in the mixing/mastering than the music matching the video or what? The whole contest was a bit odd. The entry method was emailing the final audio (a large sized file) which could have easily ended up in their spam folder or deleted. It’s never safe to email something so big. We also had to send a link to our music synced to their video. I did that. They never confirmed whether they got my entry nor did I ever see it (or any other entries) posted on their SoundCloud site as the rules said they would. They also did not announce the winner on their website, but instead at the following Facebook page. Not everyone uses facebook. Here’s the winner:


The problems I have are:

The composition is little more than a 1:15 tension builder. It doesn’t resolve the tension. When I’m looking to buy a sound library, this music doesn’t do it for me.

The music doesn’t fit the video. It in no way enhances or supports the visuals we see. (Some comments on their facebook page agree with me here).

It is so repetitive to the point of almost being boring.

When it switches from graphics to the control room, why no change to draw the viewer, who may have turned away while watching on their phone, tablet or PC, to the change?

When we see a large horn section, I have trouble hearing any horns. The only thing in the video are horns yet there are no obvious horns in the music.

The same thing when we see flutes, trumpets and a timpani player feverlishly bangs on the timpani, we don’t hear flutes, trumpets or timpani. Why not? It would be an excellent way to showcase the product and its multiple capabilities instead of hearing essentially the same thing we’ve heard from the beginning.

When the woman is showed at her computer using Albion, why not give us something electronic? Movie soundtracks aren’t all symphonic orchestra are they?

The biggest thing that bothers me is when she plays a C on her keyboard (after seeing that she has a string sound loaded up) we don’t hear a C, not even a note in the C chord, nor are strings featured. What happened to matching the music to enhance the visuals?

Any how, here is my entry. I know it isn’t perfect. The mixing and mastering need some work and it probably would have helped to layer in some more sounds to what is there. I would really like some comments as to why my attempt was not as good as the winner.

Playing from a Leadsheet (revisited)

Playing from a Leadsheet

for solo pianists


Back in 2014 I did a tutorial video on YouTube titles How to play a Leadsheet on solo piano. A followup to it is below.

The video pretty much tells all you need to know to get started playing a leadsheet. One correction is that the D7/F chord on the first line should be a D7/F#. The following description and addition may help in learning to play a leadsheet.

The video shows three different renderings in addition to the original sheet music. The 1st, with just the bass root note in the LH can be a starting point for a walking bass. Imagine a scale based on that root note but not changing any notes from those already in the key signature. Play the 1, 2, 3 & 5 notes or 1,3,5,7 in a measure with one chord. For example, “F G A C” or “C E G B or Bb depending on taste.”

The 2nd sheet music simply shows the block chord with all the notes we could use to harmonize the leadsheet. It is mainly for illustrative purposes. I would never play a leadsheet with just root position block chords.

The final example is the most like one might play. The examples, with the harmony spread between both hands and with rhythmic variation show various rhythmic possibilities for the accompaniment/harmony. However, there’s too much rhythmic variation going on. The last two lines could be played “as is” but the first two lines have, because it is illustrative and not practical, a variety of rhythmic styles.

The next step in leadsheet playing is to listen or look at sheet music of various styles of music similar to the one you are learning. Try and use the rhythmic patterns and harmonic voicing in those examples in your own playing. Leadsheets, after all, are not meant to be a final arrangement. They are there to remind you of how the piece goes and give you just enough information so you can play it such that a listener is reminded of the song.

This is just a starting point to playing from leadsheets.

Bonus points if you recognize what the featured photo shows (besides a leadsheet).