Four new titles are now available in the music catalog at the website.
These titles are for solo organ, solo piano, instrumental solo with piano accompaniment and an organ hymn accompaniment/alternate harmonization.
O Day Of Radiant Gladness
This arrangement is based on a German folk tune, also known under the hymn tune name ES FLOG EIN KLEINS WALDVOGELEIN. This is for solo organ. It was written with a postlude in a church service in mind. It is a contrapuntal arrangement, almost like a fugue. The pedal part is not difficult. This piece makes for a great postlude. An organ teacher might also find it useful as a supplemental piece to regular lessons.
An original piano composition. It is a slow, thoughtful piece. An episode is similar to an interlude. It is designed to be played between other (perhaps non-musical) activities. It would be a great piece for an intermediate piano student to learn for a recital. It could be used as part of a concert program where you need a slower piece between faster pieces. For church use, it would work quite well as an offertory or communion (Lord’s supper) piece.
Jesus Loves Me
An arrangement of the well-loved hymn for solo instrument with piano accompaniment. This setting is an adaptation of the solo organ title already a part of the music catalog. Rather than the typical 4/4 or 2/4 meter found in the hymnal, this setting is in a slow 6/4 time. This slows the piece down from its typical sung speed and allows for more expression from the soloist. I didn’t have any particular solo instrument in mind when writing this, but violin or oboe would work well with this. Parts are provided for C, Bb, Eb and F treble clef instruments making it playable by a wide range of instruments including: Flute, oboe, Clarinet, Alto Saxophone, Tenor Saxophone, French Horn, Trumpet, Violin, Guitar, Recorder and a solo keyboard (eg. a synthesizer lead). If you play bassoon, cello, trombone or viola and can read treble clef, you could easily adapt this for your use. French horn players may find this a challenge due to its high range, but feel free to transpose down an octave.
This is an organ alternate harmony to this hymn tune. I use capital letters whenever mentioning tune names. Since so many hymn tunes have multiple titles, if I list the most common title, in this case “Holy God, We Praise Thy Name,” I end up leaving out other titles, so that’s why the tune name. This accompaniment is best used on the last verse of the tune. This accompaniment has a number of harmony changes that will require the congregation to sing in unison (as they would typically do to begin with). The piece does not always play the melody as the highest note and does a bit of a descant. But, it is not so different that the congregation will lose its place. When first used in a service it received good comments from those singing and a few were surprised at one or two of the harmonies.